by Tom Castaldi
Allen County’s first courthouse was built on the "courthouse
square" in 1831 but was so poorly constructed it had to be abandoned a few
years later as unsafe. The second
courthouse was erected in 1847 by local contractor Samuel Edsall, yet this also
proved to be inadequate. The third
courthouse was a large brick structure designed by Edwin May of Indianapolis;
its cornerstone was laid in May 1861 and the building was in use by July 1862.
The courthouse yard was the scene of many patriotic
gatherings during the Civil War and afterward; however, by the 1890s, the
building had become so dilapidated that it had to be replaced. Some civic leaders proposed to build a shared
building for both the city and the country; when no agreement could be reached
among the politicians, the mayor led Common Council to build a city hall while
the county commissioners built the fourth and present courthouse. It was not
until 1971 that a combined City-County facility was built.
On
November 17, 1897,
the day the cornerstone was set, thousands filled the streets around the court
house square to see Governor James A. Mount and his entourage officiate in the
ceremony. Louis Peltier, who had been
born in the Fort in 1813, was the guest of honor. Designed by local architect Brentwood S.
Tolan, the structure was completed on September 23, 1902.
Including its interior furnishings, this proud Allen
County Courthouse building cost over $800,000.
The courthouse is constructed of the blue limestone of Bedford, Indiana,
and Vermont
granite in a balanced combination of styles from Grecian and Roman to
Renaissance. The simple Doric lines of
the first floor rise to the more elaborate Ionic columns of the second story,
while the ornate Corinthian and Roman Imperial styles dominate the third level.
Crowning the structure is the great copper-sheathed
dome on which turns the copper statue of Miss Liberty, 225 feet from street
level. A wind vane, a 13 feet 8-inches
goddess weighing 800 pounds, Liberty always holds her torch of enlightenment
toward the breeze as she turns on graphite-packed ball bearings.
This remarkable building that serves the county's
judicial needs and has been called “among the very finest ‘Beaux Arts’ style
public building in the nation”, according to Smithsonian Institution National
Museum of Art’s senior curator, Richard Murray.
One look at the great structure inspires the spirit of
the Renaissance reflected in the exterior decorations. The friezes and cornices around the building
are filled with the sculptured images and proverbs of the history of Allen County,
American government, industry, virtue and the law.
Inside,
the celebration of civilization and local history continues in brilliant
color. Through each of the four
entrances the visitor passes the bright pillars of marezzo scagliola an imitation marble that represents the largest
collection of this lost art of faux marble in the nation and possibly in the
world.
Across the intricately tiled floor stands a marble
stairway leading to the second level. At
the center of the building, in the rotunda, the eye is drawn to the brilliant
illuminate glass dome that connects the galleries to the Circuit and Superior
Court chambers.
The
four large murals in the dome were painted by Charles Holloway, a gold-metal
winning artist at the Paris Exposition of 1900 who also executed the paintings
on the proscenium arch of the historic 1888 Auditorium Theater in Chicago. On each of the walls the murals depict in
allegory the opposing themes of Despotism and Anarchy (on the south wall) and Democracy
and Lawful Government (on the north wall), with those of Peace and Prosperity (on
the east wall) and finally images of War and Despair (on the west wall).
Scenes and sculptured panels continue throughout the
four courtrooms. Here are murals and
sculptures depicting the history of the law, and the peaceful pursuits of
agriculture, the terrors of war, and the workings of justice. There is also artwork showing the earliest
events in local history, including the arrival of Anthony Wayne, the burial of
Little Turtle, and the completion of the Wabash & Erie Canal.
By 1995, a badly needed restoration of the old
Courthouse was initiated. Amateurish
attempts to improve the murals in the 1930s completely painted over the
original artwork. Gold leaf ceiling
panels ornately stenciled had darkened due to a coal heating system and now has
been restored.
A group of concerned citizens formed the Allen County
Courthouse Preservation Trust to raise necessary funds to restore and maintain
the artwork to the original grandeur of this national treasure. Jeffrey Green, president of the Ever Greene
Studios said, "It is certainly on par with the Library of Congress, the
Paris Opera or any other world class building of the period."
Originally published in Fort Wayne
Magazine “Along the Heritage Trail with Tom Castaldi” Oct 2007 No. 36).
Allen County
Historian Tom Castaldi is author of the Wabash & Erie Canal Notebook
series; hosts “On the Heritage Trail,” which is broadcast at 6:35 a.m., 8:35
a.m. and 6:30 p.m. Mondays on WBOI, 89.1 FM; and “Historia Nostra” heard on
WLYV-1450 AM and WRRO 89.9 FM. Enjoy his previously published columns on the
History Center’s blog, “Our Stories,” at history centerfw.blogspot.com.
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